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At the end of last year I spoke with Gabrielle Jackson at the Guardian about my essay Trouble Breathing, following up on how the impacts of the COVID-19 pandemic have been felt here and globally, and what might be learnt from all this. The episode has now been published alongside some other great interviews in the series:

screenshot of Full Story podcast page from The Guardian

2021 has begun with a confusion of lockdown regulations and an ill-timed political crisis here in Italy. After a restful break I am hard at work on a new project, while excitedly inspecting cover designs for The Airways – I hope to share a finished version soon, so watch this space!

A happy and healthy new year to all.

December publications

The Penguin Books anthology, Fire, Flood, Plague, edited by Sophie Cunningham, is out in the world today. It’s a fantastic collection of reflections on the year that has been, and I’m thrilled to be there among some of my favourite writers and thinkers. My essay, Trouble Breathing, was also published in the Guardian in October.

Fire Flood Plague book cover image

Another all-star cast is featured in the new issue of Meanjin, which celebrates its 80th anniversary this month! I uploaded myself to the cloud for this issue, which has taken ‘the next 80 years’ as its theme. I love that editor Jonathan Green filed this piece, Archive Ethics, under ‘memoir’.

Screenshot of Archive Ethics title, from Meanjin online

This makes (I think) twelve issues of Meanjin in which my fiction or essays have been published over the last eleven years – quite a long term relationship by now. Wishing the journal and the people who make it all the best for the future (real and imagined, of course).

A welcome addition to the neighbourhood of short fiction, The Saturday Paper started publishing short stories regularly in 2020 along with poetry – with the recent addition of gun culture editor Alison Croggon, I’m certain it will be a place to find great writing from new and established practitioners of the form. My second story to appear in those pages, The call, is a sort of science fiction parable; cli-fi, if you will…

Screenshot of The call title and first sentences, from The Saturday Paper online

Lockdown 2.0

I wrote something for Overland about Italy’s second wave and the slow return of some of the restrictions. As one of the first regions designated ‘zona rossa’, Piemonte has been under semi-lockdown since the 6th November. It’s a strange time in this uncanny city, caught in the net of pandemic déjà vu. I’m privileged to be haunted by small details, like the Christmas lights that shine over the empty streets. It is horrifying to see health care workers again facing the challenges they faced in the spring.

For me, it’s not so rough – working from home is my normal, and since elementary schools are still open, I still have the place to myself. I am able to go to the park every day, which is a huge help, even if there is now a field hospital being assembled in a corner of it.

There is no getting used to this.

The social isolation is the biggest challenge, especially as the year drags on and the energy flags. Things that have helped include writing, not writing, cooking complicated meals, and this address from the brilliant Maria Tumarkin.

Also: knowing that the first pages of The Airways will be back from the proofreaders any minute now!

Trouble Breathing

I have an essay in the Guardian this week, called Trouble Breathing:

Screenshot of Guardian article. Trouble breathing: We all breathe the same air, but we don't breathe equally. The question of who breathes, and who suffocates, is a question of who deserves to live. It’s a question that will only become more urgent as the climate crisis develops

It will also be published in the book Fire Flood Plague, edited by Sophie Cunningham, and out through Penguin Australia on December 1.

Book cover image for Fire Flood Plague, text on a red triangle, an orange square, and a yellow circle, with a grey-white background

For me, breath has been very central to what’s happening this year. It’s interesting to see that link being made here in Italy between the Black Lives Matter movement in the US and the struggles of migrants trying to survive their journeys in the Mediterranean. I took this photo at the harbour in Palermo, Sicily:

Photo of Palermo harbour on a clear day, boats in the background. Painted on rocks in the foreground in large white capital letters are the words I can't breathe

It was amazing to be able to see some parts of Italy over summer, but so strange to attempt to be on holiday during a pandemic. I struggled to relax, slept pretty badly, did a lot of doomscrolling and kept being hit by waves of grief and anger. I worry for friends in the US, and whenever I think about trying to get back to Australia, it just keeps getting further away. I have had a pretty nomadic couple of decades and these changes seem existential. It’s hard to imagine that travel will ever offer the same sense of freedom again.

As the weather cools, the second wave is beginning to crash here, so restrictions are returning. I get the sense that resilience is low, that everyone is suffering from a degree of pandemic fatigue; our baseline stress levels have shifted, and we’re all still doing the work of adapting to it in various ways, but that stress and labour has become less visible.

I am grateful to have work to do, especially work that lets me think through what’s happening in the world around me.

This last few weeks, I have been busy finishing the edits on The Airways, a process that has been tiring, rewarding, and a little bit haunted! Am pleased to report that it will be sent to the typesetter this month. Publication in Australia is set for August 2021. I can’t wait for you to read it.

Working on edits for The Airways at my “desk” in Torino