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walking and falling

jennifer mills – blog

It would have passed in any case

Part of maturing as a writer is learning to wait. You learn to recognise the varieties of dread: to distinguish genuine judgement about the quality of a story from plain old back-to-work nerves. I am currently Waiting for Edits, which is usually a very anxious time, but I feel quite happy about the work ahead – for the first time I’ll be doing edits from my home office, and not from Hawaii-Arizona-Mexico-Cuba (The Diamond Anchor) or Berlin-Russia-China (Gone). Since it’s about 70% previously published, I’m hoping this round will also be easier. The Rest is Weight isn’t far from being finished. It already has a distribution page, so it very nearly exists. The cover’s a little further away. I will keep you posted.

Meanwhile I’ve dipped my toe into the novel I’m (not really) working on, and it seems that there is some book-like substance dangling there, though it is fragile, as early drafts are. Pulling these amorphous blobs out of the water, moulding them into shape, sticking them together – it is slow. It accounts for most of the work, and thankfully, this is the part I enjoy the most. Having long breaks between drafts is good – I was exhausted at the end of last year – but they do come at the price of rising worry that the mind might rust. Fitting, given this book I’m working on has a bit to do with ruins.

I realised just before the break that I don’t have the kind of mind that can do one thing at a time. I like to have a few projects on the boil. I like being able to distract myself with a blog post or a short story or a zine or an art project or even a paid gig as well as work on the book. Can’t keep staring at the same page day after day without losing the plot, so to speak; I need on some level to keep busy. This is the one, very unconvincing downside of having grant money. But I am also grateful for a little nothing-time, the idleness from which ideas and associations can grow.

So with the return to the regimentation of school hours and the calm of a daily writing practice, I feel like the new year has finally begun. After a trying few weeks dodging curveballs from the universe, which appeared to be playing that sadistic primary-school game of brandings, it’s good to remember to sit still. To focus on my own definition of success and do the work which makes me happy and keeps me going. Happiness must be cultivated, and having meaningful work is an important part of that. I want to be successful enough to keep myself alive and able to continue working. I have to be patient, to simply do what I love, and allow the rest to sprout behind. (The rest is weight, after all.) To be brave enough to be patient. Time is a bloody luxury, I have to say.

Oh, and before I forget – happy National Year of Reading! A story of mine is up on the NYR website as audio – read by someone else for a change. Enjoy.

And this wonderful short story event continues in Adelaide, now at the Wheatsheaf – so I shall see you there on the 7th!


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Scaffolds

st scaff Things are winding down for the year, and it appears my brain has decided to knock off early, but before it does I have managed to come to the end of a first-ish draft of the new book. Granted, it is mostly scaffolding, but now at least I feel capable of building something. I was thinking this morning about short stories and how pleasant it is that you almost always feel equal to the task of finishing them. It makes a happy change from novels, which are nothing if not overwhelming. Which I suppose is why we pave the way with tiny milestones, and call them drafts.

Granted, I was thinking all that apropos of a particular short story, which I haven’t managed to finish all year. So there are exceptions.


I have managed to finish quite a few though. I’m in Best Australian Stories 2011 which is a fantastic anthology edited by the ever-generous Cate Kennedy, go and get it if you haven’t already, and if you have, buy it as a gift. Aside from myself there are some excellent voices in there, both familiar and new.

I also have a story in Escape, the new anthology from Spineless Wonders, which I urge you to buy – it’s a brilliant anthology but also a great publishing startup which deserves support and a broad readership. Of the many changes in the industry this year the emergence of a dedicated short fiction publisher must not pass without applause, so… three cheers! *applauds*

Fourth and fifth cheers go to the many women and men who are doing something about all the gender bias in the business – most notably, the Stella Prize and this wonderful reading challenge. Readers and bloggers, it’s down to you.

2012 will be fairly busy, but without the major upheaval of moving states thrown into the mix, and with the still-astonishing good fortune of a grant from Ozco, so also hopefully a little less stressful. I’m planning to work on this book throughout, if the scaff holds. But halfway through I’ll also have a book of short stories out through UQP. The collection is entitled ‘The Rest is Weight’ and the title story will be appearing in Meanjin early in the new year. The book will be out in about June.

And if that’s not enough to be getting along with, I’ll be undertaking residencies at Booranga and Bundanon, returning to Darwin for the Wordstorm/Australian Poetry festival mashup, and launching the National Year of Reading at a bunch of local libraries. All of which makes me glad to be alive.

Have a good break filled with great books.


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how not to write

how not to write

first, go to your room
you must have a particular room for this,
but the arrangement doesn’t have to be
monogamous.

look out the window at the bird
eating your plums.

see how the bird is not a poem, but a bird
picking at fruit and shitting where it sings
and it’s feral, and its song is not good.

and the plums are not yours either, but belong
to the plum tree.

there are enough things for everybody.

now fold up your mind, and be happy.


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octovember short story podcast: the taxi driver

With apologies for the pause between broadcasts, here’s a new fiction podcast for you. This story began on pure observation, sitting in a gay bar in San Cristóbal de las Casas, Chiapas, back in 2008. It’s going to be in a collection of my stories which I am happy to announce will be published by UQP in mid-2012! Hurrah.

UQP have been working hard at conversion and Gone has just been released in all the ebook formats, so it should be popping up in various places over the next few weeks (i’m told with the exception of North America, but maybe there’s a workaround). It is definitely available at indie bookshop Readings already. Go and give Frank a lift!

Now for the story:

it is prohibited to enter this unit in an inconvenient state

I think the few Spanish words in this story are pretty self-explanatory, but leave a comment if you have any questions.

One more thing: as a courtesy to my publisher, and to save myself from becoming a one-woman audio archive, I’m going to be leaving this and future podcasts up for three months or so and then taking them down. Which means the back catalogue will vanish soon, if you want to make use of it…


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